JonathMarques de Abreu VirginiWoolf probably was the writer most influential of century XX. During todasua life fought arduously obtains exactly. One of its great concerns, since the beginning of its writing, was as a woman in a patriarcal society, as England of century XX could become a writer and principalmentecomo would be this writer in a society of machista standard, of poetaspuramente masculine. In a certain Virginia direction Woolf it goes to say that to umamulher to be a good writer, would have to develop a writing that could sercomparada with the masculine artistic production and such this woman to only precisariacriar a place its, metaforicamente, ' ' its proper quarto' '. Elaainda says that, basically, the feminine perspective is not a defining idea, but questionadora, that is, the man to see the world in a definitive way, with aviso from defined events already, as a war, umacontecimento important politician.
Already the feminine vision would be a vision quecomea with pparently small things, of particular, leaving of ladodetalhes, that it seems not to be important, but if they do not become interesting in the perspectivafeminina, consequentemente not accepting daily pay-characterized, determined definitions and yes questionadoras. ' ' Kew Gardens' ' nostrs this feminine vision, by means of small things Virginia the conseguenos Woolf to carry to a world who hardly we would obtain, to see and in them to fazpensar in the proper existencial question of the human being and which our relation with anatureza. OParque in ' ' Kew Gardens' ' it is seen through, as already it was said, by small things, as for example, a leaf, a dragonfly, a drop of rain. Such perspectivanos carry to a full world of paradox, find a world where anatureza is not wild, but also are not a place that serves for asobrevivncia. The modern city if characterizes for exclusoda nature, with a place that does not have life, an alienator place. With the parks they ohomem has the possibility to meet with its identity. With this ideia' ' romantica' ' , we have the nature as imitation of the savage, something sublime, and pormeio of it the man goes to feel something beyond its internal nature and to find-secom its individuality, in this world the man goes to find its roots. Existencial Aquesto also is placed in the story.
We live in an alienator place, in the nature that the human being can run away from this realidade.' ' Kew Gardens' ' in them it transmits such feeling, we are led to perceive action that in passamdespercebidos, the important feelings that in them they bring the notion that not somosnada in front of the power of the nature and also discloses in them what we are: ' ' Why I deveriame to matter, Simom? It is not always thought about the past, in a garden with lying men emulheres under the Trees? ' ' (…) For me, a kiss. I imagine seismenininhas ahead seated of its behind caveletes twenty years, the side of umlago painting nenfares, first nenfares red that jamaisvira. (…) (Woof, Virginia, p84) Analisandoo story of Virginia Woolf we arrive the conclusion that is not nature that needed people, is the man who needs it to survive and that also not somosnada in front of the power of the nature. With the nature we find answers and nela, that the being the human being, appeals to run away from the daily one and to obtain to live nomundo alienator, leaving us, therefore, in harmony with body and mind.